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Paper: Indigenous articulations in the digital age

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Budka, P. (2018). Indigenous articulations in the digital age: Reflections on historical developments, activist engagements and mundane practices. Paper at International Communication Association 2018 Pre-Conference “Articulating Voice. The Expressivity and Performativity of Media Practice”, Prague, Czech Republic: Hilton, 24 May. Full Paper (PDF)

The relationship between indigenous people and digital media technologies is ambivalent and enthusiastic at the same time; reflecting individual experiences and expectations as well as collective sociocultural contexts and developments. Considering indigenous people’s colonial history and colonization’s continuing effects on indigenous communities, it is not surprising that many indigenous representatives are particularly concerned about issues of power, control, and ownership related to digital technologies and new ways of knowledge production, circulation, and representation (e.g., Ginsburg, 2008).

There is a strong sense of sociopolitical activism and agency in indigenous people’s collective engagements with digital media technologies which are closely connected to the (re)construction and mediation of cultural identity, cultural articulation, social intervention, and self-determination. At the same time, indigenous people’s digital practices are related to mundane necessities of everyday communication, social networking, family bonding, or self-expression. To understand indigenous articulations in the digital age, the collective and the individual dimension need to be considered.

Idle No More Twitter Account
Screenshot: Idle No More Twitter Account, 2018

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Call for Papers: “Digital Visuality” – Vienna Anthropology Days (VANDA 2018)

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VIENNA ANTHROPOLOGY DAYS (VANDA 2018)
September 19-22, 2018

Call for Papers
Session “Digital Visuality”

Prof. Dr. Elke Mader and Dr. Philipp Budka
(Department of Social and Cultural Anthropology, University of Vienna)

Presentations in English or German, max. 15 min.
Abstract of 350 words: https://vanda.univie.ac.at/call-for-papers/
Deadline: 1 June 2018
Venue: New Institute Building (NIG) of the University of Vienna
Universitätsstraße 7, 1010 Vienna, Austria

Abstract

Visual communication and visual culture have been a research focus in social and cultural anthropology for quite some time (e.g. Banks & Ruby, 2011). With the advent of digital media and technologies, internet-based devices and services, mobile computing as well as software applications and digital platforms new opportunities and challenges have come to the forefront in anthropological research, education and communication of visuality (e.g. Pink, 2011). Digital media technologies have become ubiquitous means of visual communication, interaction and representation. For anthropology and its subdisciplines, such as digital, media and visual anthropology, it is of particular interest how people engage with digital media and technologies, how “the digital“ is embedded in everyday life and how it relates to different social practices and cultural processes in human societies. By considering changing sociocultural, political and economic contexts and through ethnographic fieldwork, a continuously growing number of anthropological projects is aiming for a better understanding of contemporary digital phenomena (e.g. Horst & Miller, 2012).
This session contributes to these endeavours by inviting papers that focus on the visuality and visual aspects of digital life and culture. Papers could present ethnographic studies and discuss some of the following questions:

  • What does “the digital” mean for visual anthropology and/or the (interdisciplinary) relationship between anthropological subdisciplines and other visual research fields?
  • How does visual anthropology provide new perspectives on digital visuality?
  • How do specific conceptual approaches contribute to the analysis and understanding of digital visuality (e.g. ritualization, performativity, representation, material culture, practice theory)?
  • What theoretical concepts and analytical categories of sociality can be used to study (differences of) visual culture?
  • How does digital visuality co-constitute and mediate cultural performances and rituals?
  • How do digital platforms and social media services, such as YouTube, Facebook, Instagram, Twitter or Snapchat, and related practices constitute and change (visual) communication?
  • How does digital visuality impact and redefine ethnographic research (e.g. research techniques, tools, ethics)?
  • What are possible futures for digital visual anthropology and ethnography?

For questions concerning this session, please contact philipp.budka@univie.ac.at
For questions concerning registration, abstract submission and hotel reservation, please contact congress@univie.ac.at

Conference: ICA 2018 Pre-Conference “Articulating Voice. The Expressivity and Performativity of Media Practices”

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International Communication Association (ICA) 2018 Pre-Conference “Articulating Voice. The Expressivity and Performativity of Media Practices”
May 24, 2018, Prague, Czech Republic

Conference Program
Book of Abstracts (PDF)

At this interdisciplinary conference, several papers in the field of media & digital anthropology are presented by researcher who are actively involved in the European Association of Social Anthropologists Media Anthropology Network:

  • Sahana Udupa, U of Munich, Germany: “Enterprise as practice: Fun and aggression in online political discourse”
  • Philipp Budka, U of Vienna, Austria: “Indigenous Articulations in the Digital Age: Reflections on Historical Developments, Activist Engagements and Mundane Practices”
  • Nina Grønlykke Mollerup & Mette Mortensen, U of Copenhagen, Denmark: “The Contested Visibility of War: Actors on the Ground Taking and Distributing Images from the War in Syria”

CfP: The Digital Turn: New Directions in Media Anthropology

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The EASA Media Anthropology Network is organising a network panel at the 15th EASA Biennial Conference “Staying, Moving, Settling” in Stockholm, 14-17 August, 2018.
Please find the Call for Papers below.
Deadline: 9 April 2018.

Convenors

Philipp Budka (University of Vienna)
Elisabetta Costa (University of Groningen)
Sahana Udupa (Ludwig Maximilian University)

Abstract

The digital turn in media anthropology signals the growing importance of digital media technologies in contemporary sociocultural, political and economic processes. This panel recognizes the digital turn as a paradigm shift in the anthropological study of media, and aims to foreground three important streams of exploration that constitute new directions in the anthropology of media.

The rise of online vitriol against vulnerable communities has punctured euphoric pronouncements about digital media as a radical enabler of grassroots democracy. A significant aspect of digital extreme speech is gender based violence in digital environments. Beyond the specific instances of online violence, gendering media anthropology remains a crucial and broader area of intervention. Similarly, different forms of digital visualities have accentuated the materialities that constitute everyday digital experiences and their varied cultural ramifications. Charting the three directions as gendering digital media, materialities of digital visualities and online extreme speech, this panel aims to push further the ethnographic knowledge into the role that digital media play in people’s everyday life and broader sociopolitical transformations.

We invite ethnographic and/or theoretical papers that focus either on
(1) the gendered dimension of digital practices and introduce innovative theoretical insights into the relationship between gender and the digital;
(2) extreme speech and online vitriol aimed at refugees, migrants, sexual minorities and other vulnerable communities, but online extreme speech as also a means for political contestation;
(3) material dimensions of digital visualities as constituting features of new ways of communication and interaction.

https://nomadit.co.uk/easa/easa2018/conferencesuite.php/panels/6386
https://www.easaonline.org/conferences/easa2018/cfp

Review: Digital environments: Ethnographic perspectives across global online and offline spaces

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Budka, P. (2018). [Review of the book Digital environments: Ethnographic perspectives across global online and offline spaces, by U. U. Frömming, S. Köhn, S. Fox & M. Terry]. Anthropos, 113.2018(1). Forthcoming.

The edited volume “Digital Environments: Ethnographic Perspectives Across Global Online and Offline Spaces” is a collection of 16 essays by students and graduates of the M.A. Programme in Visual and Media Anthropology at the Free University Berlin. This is the first special feature of the book. The second is the anthropological and ethnographic perspective from which the individual texts discuss a diversity of digital technologies, platforms, services as well as related sociocultural phenomena, events and practices. As Sarah Pink in the book’s foreword notes, these texts and the underlying projects “focus on central issues of the discipline … through the prism of visual and media anthropology” (p. 10). Being not part of the anthropological mainstream, this visual and media anthropology perspective holds the potential of providing exiting new insights in digital culture and our increasingly digitalised societies. The digital ethnography perspective, on the other hand, focuses on “the ways in which technologies have become inseparable from other materialities and human activities” including ethnographic fieldwork, as Urte Undine Frömming, Steffen Köhn, Samantha Fox and Mike Terry note in the introduction chapter (p. 15).
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Vortrag: Medien und Literalität in der Kultur- und Sozialanthropologie

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Budka, P. 2017. Medien und Literalität in der Kultur- und Sozialanthropologie: (Digitale) Medienpraktiken aus kulturvergleichender Perspektive. Vortrag im Workshop “Dark Side of Literacy” am Bundesinstitut für Erwachsenenbildung, Strobl, Salzburg, 20. April 2017. (PDF)

Inhalt:
Kultur- und Sozialanthropologie (KSA)
Medien in der KSA
Literalität in der KSA
„Moderne Oralität“
Digitale & Soziale Medien in der KSA

CfP: Anthropologies of media and mobility

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Anthropologies of Media and Mobility: Theorizing movement and circulations across entangled fields

An International Workshop organized by the Anthropology and Mobility Network and the Media Anthropology Network (EASA) in collaboration with Locating Media (University Siegen) and a.r.t.e.s. Graduate School (University of Cologne)

University of Cologne, Germany
14-16 September 2017

This international workshop seeks to theorize the relationship between media and mobility. While mobility has been defined as movement ascribed with meaning, one might in similar fashion define media as meaning ascribed with movement. Interrogating the linkages between media and mobility can enable more thorough understandings of how various power structures produce, transform and reproduce social, material and discursive orders. People, devices, and data are increasingly on the move – movements that may transgress borders and boundaries, but which are also integral to the constitution and regulation of the barriers themselves. The movement of people triggers new imaginaries of territories and social spaces, which circulate through media, questioning and forging new ties between people, signs and things. More broadly, the mobilisation of tangible and intangible things demands a reconceptualization of what a ‘thing’ is, what constitutes the human, and what defines human collectivity. In such circumstances, reimagining circulations through the lens of media and mobility becomes an important step towards understanding current socio-cultural and political changes. While this lens has been applied broadly within anthropological research, its theoretical consequences merit further investigation and discussion. 

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Digital visual anthropology

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This is a selection of digital visual anthropology resources which were collected via the European Association of Social Anthropologists (EASA) Visual Anthropology Network’s (VANEASA) mailing list.

Online resources & projects:

Literature:

  • Aston, J., Gaudenzi, S., & Rose, M. (Eds.). (2017). I-Docs: The evolving practices of interactive documentary. New York: Wallflower Press. Forthcoming.
  • Menzies, C. R. (2015). In our grandmothers’ garden: An indigenous approach to collaborative film. In A. Gubrium, A., K. Harper, & M. Ortanzez (Eds.), Participatory visual and digital research in action. Walnut Creek, CA: Left Coast Press.
  • Pink, S. (2011). Digital visual anthropology: Potentials and challenges. In M. Banks & J. Ruby (Eds.), Made to be seen: Perspectives on the history of visual anthropology. Chicago: The University of Chicago Press.
  • Walter, F. & Grasseni, C. (Eds.). (2014). Anthrovision. Special issue “Digital visual engagements”, available at https://anthrovision.revues.org/1077

Digital ethnography

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Digital ethnography – a selection of resources

e-Seminars of the EASA Media Anthropology Network:

Literature:

Ethnography in virtual worlds:

  • Boellstorff, et al. (2012). Ethnography and virtual worlds: A handbook of method. Princeton: Princeton University Press.

Ethnography and digital and social media:

  • Hjorth, L., et al. (Eds.). (2017). The Routledge Companion to digital ethnography, New York: Routledge. Forthcoming.
  • Miller, D., et al. (2016). How the world changed social media. London: UCL Press. http://discovery.ucl.ac.uk/1474805/1/How-the-World-Changed-Social-Media.pdf
  • Pink, S., et al. (2016). Digital ethnography: Principles and practice. Thousand Oaks, CA: Sage.
  • Postill, J., & Pink, S. (2012). Social media ethnography: The digital researcher in a messy web. Media International Australia, 145(1), 123-134. http://journals.sagepub.com/doi/abs/10.1177/1329878X1214500114
  • Sanjek, R., & Tratner, S. W. (Eds.). (2016). eFieldnotes: The makings of anthropology in the digital world. Philadelphia: University of Pennsylvania Press.

Blog posts:

Research centres:

Lecture: Visuelle Anthropologie in Zeiten zunehmender Digitalisierung

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Vorlesung “Visuelle Anthropologie in Zeiten zunehmender Digitalisierung“,
Wintersemester 2016/17, am Institut für Kultur- und Sozialanthropologie der Universität Wien
Philipp Budka

Ziele

Die Lehrveranstaltung gibt einen Überblick zur Visuellen Anthropologie und diskutiert die Bedeutung sowie die Entwicklung dieser kultur- und sozialanthropologischen Subdisziplin in Zeiten zunehmender Digitalisierung. Studierende erhalten so einen Einblick in die historische, gegenwärtige und zukünftige Relevanz der Visuellen Anthropologie.

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Concept map: Ethnographie des Cyberspace (nach Ackermann, 2000)

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Diese Concept Map visualisiert die wesentlichsten Punkte einer “Ethnographie des Cyberspace” nach Ackermann (2000).

“Für die Ethnologie sind die sozialen Phänomene des Cyberspace insofern von Interesse, als sie auf der theoretischen Ebene zu einer Auseinandersetzung mit traditionellen Konzepten von Sozialität … herausfordern und auf der empirischen Ebene die Flexibilität und Variabilität der Methode … einfordern” (S. 289).

A. Ackermann. 2000. Das virtuelle Universum der Identität. Überlegungen zu einer Ethnographie des Cyberspace. In S. M. Schomburg-Scherff & B. Heintze (Hg.) Die offenen Grenzen der Ethnologie. Schlaglichter auf ein sich wandelndes Fach. Frankfurt/Main: Lembeck. S. 276-290.

ethographie_cyberspace

New forms of socialities on the web? – Paper at the Web as Culture Conference

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Budka, P., Mader, E. 2009. New forms of socialities on the web? A critical exploration of anthropological concepts to understand sociocultural online practices. Paper at “Web as Culture Conference”, Giessen, 16-18 July.

Abstract

Internet technologies and the World Wide Web promised a lot of things: from instantaneous global communication and fast information gathering to new forms of politics, economy, organizations, and socialities, including a renewed sense of community. By studying these online and “virtual” communities, internet researchers initially focused on their structure and development (e.g. Jones 1995, Smith & Kollock, 1999). Social network theory then changed decisively the way communities on the web have been conceptualized and analyzed. Scholars like Barry Wellman (et al., 2002) and Manuel Castells (2000), argue that in the internet age societies, communities, and individuals all have a network character. Thus the conceptualization of community as social network, by focusing on the interactions in these communities, has become widespread in internet studies.

Community and social network as concepts of sociality have been critically reviewed by anthropologists particularly in the context and process of ethnographic fieldwork. Vered Amit (2002), e.g., states that community is, because of its emotional significance and popularity in public discourses, a rather poor analytical concept. Internet ethnographers hence have been starting to look for alternative ways of understanding online socialities by moving beyond the community/network paradigm (Postill 2008).

In this paper we are critically discussing the potential of alternative concepts of sociality to analyze how people are interacting on the web. In so doing, we are firstly reviewing the quite popular concept of “communitas” developed by Victor Turner to differentiate between society as social structure and society as communitas constituted by concrete idiosyncratic individuals and their interactions. In the context of the sociocultural web, the liminal experience of people switching between these two stages is particularly interesting. Secondly, we are introducing the concept of “conviviality”, coined by Joanna Overing, to internet studies. Conviviality accentuates the affective side of sociality, such as joy, creativity, and the virtues of sharing and generosity, as opposed to the structure or functioning of society. These analytical concepts and tools, derived from anthropological and ethnographic research, are finally applied to an empirical case study of Bollywood fan communities on the web and their sociocultural practices.

References

Amit, Vered (ed.). 2002. Realizing community: concepts, social relationships and sentiments. London & New York: Routledge.
Castells, Manuel. 2000. The rise of the network society. Second Edition. Malden: Blackwell Publishers.
Jones, Steven G. (ed.). 1995. CyberSociety: Computer-Mediated Communication and Community. Thousand Oaks: Sage Publications.
Kollock, Peter, Smith, Marc A. (eds.). 1999. Communities in Cyberspace. London & New York: Routledge.
Postill, John. 2008. Localising the internet: beyond communities and networks. In: New Media and Society 10(3), 413-431.
Wellman, Barry, Boase, Jeffrey and Wenhong Chen. 2002. The networked nature of community: online and offline. In: IT&Society 1/1, 151-165.

Report: CRASSH Workshop “Subversion, Conversion, Development”

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Budka, P. 2008. Report on CRASSH Workshop “Subversion, Conversion, Development: Public Interests in Technologies”, Cambridge, 24-26 April.

From the workshop’s abstract:
As part of the “New forms of knowledge for the 21st Century” research agenda at Cambridge University, the workshop will explore why designers and developers of new technologies should be interested in producing objects that users can modify, redeploy or redevelop. This exploration demands an examination of presuppositions that underpin the knowledge practices associated with the various productions of information communication technologies (ICT). A central question is that of diversity: diversity of use, of purpose, and of value(s). Does diversity matter, in the production and use of ICT, and if so, why?

Text (PDF)

Links:
http://www.crassh.cam.ac.uk/events/71/
http://vectors.usc.edu/thoughtmesh/publish/12.php

Journal Special Issue: Austrian Studies in Social Anthropology – Media & Film

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C. Trupp & P. Budka 2008. (Eds.) Austrian Studies in Social Anthropology – Sondernummer KSA-Tage 2007: Workshop “Medien und Film” (Special Issue on Media and Film), Jun. 2008. Abstract & Text.

Aus der Einleitung:

“In den letzten Jahren unterzog sich die Kultur- und Sozialanthropologie einem großen Wandel, der auch eine Reihe neuer Themen und Forschungsfelder mit sich brachte. Zu diesen neueren Forschungsrichtungen zählen auch die Anthropologie der Medien und die Anthropologie des Films. Um einen Einblick in die vielfältigen Thematiken dieser beiden Forschungsfelder der Kultur- und Sozialanthropologie zu geben, fand im Rahmen der 3. Tage der Kultur- und Sozialanthropologie 2007 erstmals ein eigener Workshop mit dem Titel „Medien und Film“ statt. In zehn interessanten Beiträgen stellten die ReferentInnen aktuelle Forschungsfelder der Anthropologie der Medien und des Films vor. Eine Auswahl möchten wir in dieser Sondernummer der ASSA vorstellen.”

Inhaltsverzeichnis:

Artikel 2-7: Workshop “Medien und Film”, Claudia Trupp und Philipp Budka (Hg.)
Artikel 2:
Claudia Trupp und Philipp Budka: Einleitung
Artikel 3:
Martha-Cecilia Dietrich Ortega: Indigene Repräsentation im „neuen“ venezolanischen Fernsehen
Artikel 4:
Georg Schön: Soziale Bewegungen und (Gegen-)Öffentlichkeiten in Mexiko
Artikel 5:
Sabine Karrer: Bittersüße Schokolade – Die Geschichte eines Widerstandes?
Artikel 6:
Philipp Budka: How “real life” issues affect the social life of online networked communities
Artikel 7:
Katrin Julia Brezansky: ANANCY´S WEB. Über Cyberspaces und Cyberscapes im Kontext einer universellen Rastafari-Philosophie

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