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Seminar: Indigenous Media 2016

Seminar: Indigenous Media 2016 published on No Comments on Seminar: Indigenous Media 2016

Again, I have the pleasure to teach the Seminar “Indigenous Media” for the MA Program in Visual and Media Anthropology at the Free University Berlin. Find below a brief description of the course.

In the seminar “Indigenous Media” students get an introduction to indigenous media technologies. In ten seminar units selected questions, issues, and problems are discussed: How do indigenous people produce, distribute, and utilize audiovisual media? How has ethnographic and anthropological film making changed? What role do politics, power, globalization, and (post-)colonialism play in the production and use of indigenous media? How do indigenous people utilize media to construct and negotiate their individual and collective identities? How are indigenous cultures and languages represented through media? And how do indigenous people appropriate and (co-)develop digital technologies in times of increasing globalization?

We start with the contextualization of indigenous media within the framework of an anthropology of media. In the second unit students are introduced to selected debates about the meaning and relevance of (mass) media for indigenous people and their culture. We then discuss ethnographic film making and visual anthropology in the context of indigenous people’s changing role from “objects” for ethnographic films to partners in media projects. The fourth unit deals with the phenomena of (post-)colonialism and decolonization and their implications for indigenous media. This discussion leads us to the self-controlled production of indigenous media and its relevance for issues such as (self-)representation, appropriation, control, and empowerment. Globalization, modernity, and related questions of collective indigenous identity construction – “indigeneity” – are the topics of the next unit. The following three sessions are closely connected and discuss aspects of identity, community, networking, ownership, activism, empowerment, aesthetics, poetics, and popular culture in relation to indigenous media. In the final unit students learn about the importance of digital technologies and infrastructures for indigenous people, their activist projects, and networking initiatives.

Through several case studies students are introduced to the similarities and differences of indigenous media projects throughout the world. These case studies take us to different regions, countries, and continents: from Nunavut, Canada, and the US to the Caribbean, Guatemala, Mexico, and Brazil, to Nigeria, Myanmar, Australia and Finland. The seminar’s assignments include the reading of selected articles, the watching of films and videos, and the discussion of these in small essays. The online conference tool Adobe Connect is used to present and discuss aspects of texts, films, and essays.

Visual/Media/Digital Anthropology at 14th EASA Conference

Visual/Media/Digital Anthropology at 14th EASA Conference published on No Comments on Visual/Media/Digital Anthropology at 14th EASA Conference

Here is a list of panels at the 14th European Association of Social Anthropologists (EASA) Biennial Conference entitled “Anthropological legacies and human futures” (Milan, 20-23 July 2016, #EASA2016) which deal with visual and digital media technologies and related issues. If you are interested to participate to one of those panels, please keep in mind that the deadline for paper abstract submissions is 15 February and that you have to be member of EASA.

Panels are listed in order of appearance on the conference website. If I missed relevant panels, please let me know.

Continue reading Visual/Media/Digital Anthropology at 14th EASA Conference

Journal Special Issue: Austrian Studies in Social Anthropology – Media & Film

Journal Special Issue: Austrian Studies in Social Anthropology – Media & Film published on No Comments on Journal Special Issue: Austrian Studies in Social Anthropology – Media & Film

C. Trupp & P. Budka 2008. (Eds.) Austrian Studies in Social Anthropology – Sondernummer KSA-Tage 2007: Workshop “Medien und Film” (Special Issue on Media and Film), Jun. 2008. Abstract & Text.

Aus der Einleitung:

“In den letzten Jahren unterzog sich die Kultur- und Sozialanthropologie einem großen Wandel, der auch eine Reihe neuer Themen und Forschungsfelder mit sich brachte. Zu diesen neueren Forschungsrichtungen zählen auch die Anthropologie der Medien und die Anthropologie des Films. Um einen Einblick in die vielfältigen Thematiken dieser beiden Forschungsfelder der Kultur- und Sozialanthropologie zu geben, fand im Rahmen der 3. Tage der Kultur- und Sozialanthropologie 2007 erstmals ein eigener Workshop mit dem Titel „Medien und Film“ statt. In zehn interessanten Beiträgen stellten die ReferentInnen aktuelle Forschungsfelder der Anthropologie der Medien und des Films vor. Eine Auswahl möchten wir in dieser Sondernummer der ASSA vorstellen.”

Inhaltsverzeichnis:

Artikel 2-7: Workshop “Medien und Film”, Claudia Trupp und Philipp Budka (Hg.)
Artikel 2:
Claudia Trupp und Philipp Budka: Einleitung
Artikel 3:
Martha-Cecilia Dietrich Ortega: Indigene Repräsentation im „neuen“ venezolanischen Fernsehen
Artikel 4:
Georg Schön: Soziale Bewegungen und (Gegen-)Öffentlichkeiten in Mexiko
Artikel 5:
Sabine Karrer: Bittersüße Schokolade – Die Geschichte eines Widerstandes?
Artikel 6:
Philipp Budka: How “real life” issues affect the social life of online networked communities
Artikel 7:
Katrin Julia Brezansky: ANANCY´S WEB. Über Cyberspaces und Cyberscapes im Kontext einer universellen Rastafari-Philosophie