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Lecture: Visuelle Anthropologie in Zeiten zunehmender Digitalisierung

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Vorlesung “Visuelle Anthropologie in Zeiten zunehmender Digitalisierung“,
Wintersemester 2016/17, am Institut für Kultur- und Sozialanthropologie der Universität Wien
Philipp Budka

Ziele

Die Lehrveranstaltung gibt einen Überblick zur Visuellen Anthropologie und diskutiert die Bedeutung sowie die Entwicklung dieser kultur- und sozialanthropologischen Subdisziplin in Zeiten zunehmender Digitalisierung. Studierende erhalten so einen Einblick in die historische, gegenwärtige und zukünftige Relevanz der Visuellen Anthropologie.

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Panel: “Media anthropology’s legacies and concerns” @ EASA 2016 Conference Milan

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The EASA Media Anthropology Network’s panel “Media anthropology’s legacies and concerns” at the 14th European Association of Social Anthropologists (EASA) conference in Milan (20-23 July, 2016) includes the following papers:

  • Alberto Micali & Nicolò Pasqualini (University of Lincoln): Excavating the centrality of materiality for a post-human ‘anthropomediality’: an ecological approach
  • John McManus (University of Oxford): Media anthropology and the ‘ludic turn’
  • Philipp Budka (University of Vienna): Media anthropology’s legacies and concerns in digital times
  • Erkan Saka (Istanbul Bilgi University): In the intersection of anthropology’s disciplinary crisis and emergence of internet studies
  • Balazs Boross (Erasmus University Rotterdam): Television culture and the myth of participation: (re)making media rituals
  • Heloisa Buarque de Almeida (University of Sao Paulo): Politics of meanings of gender violence in Brazil
  • Richard MacDonald (Goldsmiths, University of London): Moving image projection, sacred sites and marginalised publics: the ritual economy of outdoor cinema in Thailand
  • Jonathan Larcher (Ecole des Hautes Etudes en Sciences Sociales): The politics of digital visual culture in Romania: from a digital ethnography to a historical media anthropology

Find the paper abstracts at: http://nomadit.co.uk/easa/easa2016/panels.php5?PanelID=4286

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Seminar: Indigenous Media 2016

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Again, I have the pleasure to teach the Seminar “Indigenous Media” for the MA Program in Visual and Media Anthropology at the Free University Berlin. Find below a brief description of the course.

In the seminar “Indigenous Media” students get an introduction to indigenous media technologies. In ten seminar units selected questions, issues, and problems are discussed: How do indigenous people produce, distribute, and utilize audiovisual media? How has ethnographic and anthropological film making changed? What role do politics, power, globalization, and (post-)colonialism play in the production and use of indigenous media? How do indigenous people utilize media to construct and negotiate their individual and collective identities? How are indigenous cultures and languages represented through media? And how do indigenous people appropriate and (co-)develop digital technologies in times of increasing globalization?

We start with the contextualization of indigenous media within the framework of an anthropology of media. In the second unit students are introduced to selected debates about the meaning and relevance of (mass) media for indigenous people and their culture. We then discuss ethnographic film making and visual anthropology in the context of indigenous people’s changing role from “objects” for ethnographic films to partners in media projects. The fourth unit deals with the phenomena of (post-)colonialism and decolonization and their implications for indigenous media. This discussion leads us to the self-controlled production of indigenous media and its relevance for issues such as (self-)representation, appropriation, control, and empowerment. Globalization, modernity, and related questions of collective indigenous identity construction – “indigeneity” – are the topics of the next unit. The following three sessions are closely connected and discuss aspects of identity, community, networking, ownership, activism, empowerment, aesthetics, poetics, and popular culture in relation to indigenous media. In the final unit students learn about the importance of digital technologies and infrastructures for indigenous people, their activist projects, and networking initiatives.

Through several case studies students are introduced to the similarities and differences of indigenous media projects throughout the world. These case studies take us to different regions, countries, and continents: from Nunavut, Canada, and the US to the Caribbean, Guatemala, Mexico, and Brazil, to Nigeria, Myanmar, Australia and Finland. The seminar’s assignments include the reading of selected articles, the watching of films and videos, and the discussion of these in small essays. The online conference tool Adobe Connect is used to present and discuss aspects of texts, films, and essays.

International Day of the World’s Indigenous People 2010

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On 9th of August the International Day of the World’s Indigenous People is celebrated at UN Headquarters in New York and around the world. The theme of this year’s Day of the World’s Indigenous Peoples is indigenous film makers. Thus four selected short films are screened:

Ivan and Ivan Directed by Philipp Abryutin (Chucki)

Curte-Nillas Directed by Per-Josef Idivuoma (Sámi)

Taino Indians Counted Out of Existence Directed by Alex Zacarias (Taíno)

Sikumi (On the ice) Directed by Andrew Okpeaha MacLean (Inupiaq)

More info about film makers add new dimension on Day of World’s Indigenous People

What is the history of this special day for the world’s more than 300 million indigenous people? From the website of the United Nations Permanent Forum on Indigenous Issues:

“In 1994, the General Assembly decided that the International Day of the World’s Indigenous People shall be observed on 9 August every year during the International Decade of the World’s Indigenous People (Resolution 49/214 of 23 December). The date marks the day of the first meeting, in 1982, of the UN Working Group on Indigenous Populations of the Subcommission on the Promotion and Protection of Human Rights.

The UN General Assembly had proclaimed 1993 the International Year of the World’s Indigenous People, and the same year, the Assembly proclaimed the International Decade of the World’s Indigenous People, starting on 10 December 1994 (Resolution 48/163). The goal of the First Decade was to strengthen international cooperation for solving problems faced by indigenous people in such areas as human rights, the environment, development, education and health.

In 2004, the UN General Assembly proclaimed a Second International Decade of the World’s Indigenous Peoples through Resolution 59/174. The goal of the Second Decade is to further the “strengthening of international cooperation for the solution of problems faced by indigenous people in such areas as culture, education, health, human rights, the environment, and social and economic development, by means of action-oriented programs and specific projects, increase technical assistance, and relevant standard-setting activities”.”

more at: http://www.un.org/esa/socdev/unpfii/en/news_internationalday2010.html

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