The relationship between indigenous people and digital media technologies is ambivalent and enthusiastic at the same time; reflecting individual experiences and expectations as well as collective sociocultural contexts and developments. Considering indigenous people’s colonial history and colonization’s continuing effects on indigenous communities, it is not surprising that many indigenous representatives are particularly concerned about issues of power, control, and ownership related to digital technologies and new ways of knowledge production, circulation, and representation (e.g., Ginsburg, 2008).
There is a strong sense of sociopolitical activism and agency in indigenous people’s collective engagements with digital media technologies which are closely connected to the (re)construction and mediation of cultural identity, cultural articulation, social intervention, and self-determination. At the same time, indigenous people’s digital practices are related to mundane necessities of everyday communication, social networking, family bonding, or self-expression. To understand indigenous articulations in the digital age, the collective and the individual dimension need to be considered.
This panel recognizes the digital turn as a paradigm shift in the anthropological study of media, and aims to push further the ethnographic knowledge into the role that digital media play in people’s everyday life and broader sociopolitical transformations.
What’s New? Turns, Re-turns in Digitalization of Danish Right-wing Online Vitriol Language
Peter Hervik (Aalborg University)
Extreme Speech: Online Media Cultures as a Context for Right-Wing Politics
Sahana Udupa (Ludwig Maximilian University Munich)
Populist Masculine Domination in the Moments of Trump and Brexit: On the importance of Big <-> Thick Description
Bryce Peake (University of Maryland)
Rethinking Women’s Agency and Digital Media in the Middle East
Elisabetta Costa (University of Groningen)
Gendering Chinese Digital Media Politics
Samuel Lengen (Anglia Ruskin University)
Gender, Kinship and Mediation in Rural West Bengal, India
Sirpa Tenhunen (University of Helsinki)
An Ethnography of Young People`s Gender Negotiations in Everyday Digital (Sexual) Peer Cultures
Irene Arends (University of Amsterdam)
The Material Dimension of Digital Visuality: Anthropological Possibilities, Challenges and Futures
Philipp Budka (University of Vienna)
Matters of Similarity: Affordances of Digital Visualities
Christoph Bareither (Humboldt-University Berlin)
Digital Visualities Disrupted – Local Photographers in Aleppo and the Shifting Infrastructures of War
Nina Grønlykke Mollerup (University of Copenhagen)
In this course, students are introduced to indigenous media technologies by actively discussing in 10 units/sessions different questions, issues and problems:
How do indigenous people produce, distribute and utilize audiovisual media?
How has ethnographic and anthropological film making changed through indigenous media?
What role do politics, power, globalization and (post-)colonialism play in the production, distribution and consumption of indigenous media?
How do indigenous people utilize media to construct and negotiate their individual and collective identities?
How are indigenous cultures and languages represented through media?
How do indigenous people appropriate and (co-)develop digital media technologies?
We start our seminar with the contextualization of indigenous media within an anthropology of media. In the second unit students are introduced to selected debates about the meaning and relevance of (mass) media for indigenous people and their sociocultural life worlds. We then discuss ethnographic film making and visual anthropology in the context of indigenous people’s changing role from “objects” for ethnographic films to partners in (collaborative) media projects. The fourth unit deals with (post-)colonialism and decolonization and their implications for indigenous media. This discussion leads us to the self-controlled production of indigenous media and its relevance for issues such as (self-)representation, appropriation, control and empowerment. Globalization, modernity and related questions of collective indigenous identity construction are the topics of the sixth unit. The following three sessions are closely connected, discussing aspects of identity, community, networking, ownership, activism, empowerment, aesthetics, poetics and popular culture in relation to indigenous media. In the final unit, students learn about the significance of digital technologies and infrastructures for indigenous people.
Through several case studies, students are introduced to the similarities and differences of indigenous media projects throughout the world. These case studies take us to different regions, countries and continents: from Nunavut, Canada and the United States to the Caribbean, Guatemala, Mexico and Brazil, to Nigeria, Myanmar, Australia and Finland. The seminar’s assignments include the preparation of an essay at the end of the seminar and short weekly literature and film reviews/critiques as well as an active contribution to discussions during the online sessions, which are organized with the online conference tool Adobe Connect.
Presentations in English or German, max. 15 min.
Abstract of 350 words: https://vanda.univie.ac.at/call-for-papers/
Deadline: 1 June 2018
Venue: New Institute Building (NIG) of the University of Vienna
Universitätsstraße 7, 1010 Vienna, Austria
Visual communication and visual culture have been a research focus in social and cultural anthropology for quite some time (e.g. Banks & Ruby, 2011). With the advent of digital media and technologies, internet-based devices and services, mobile computing as well as software applications and digital platforms new opportunities and challenges have come to the forefront in anthropological research, education and communication of visuality (e.g. Pink, 2011). Digital media technologies have become ubiquitous means of visual communication, interaction and representation. For anthropology and its subdisciplines, such as digital, media and visual anthropology, it is of particular interest how people engage with digital media and technologies, how “the digital“ is embedded in everyday life and how it relates to different social practices and cultural processes in human societies. By considering changing sociocultural, political and economic contexts and through ethnographic fieldwork, a continuously growing number of anthropological projects is aiming for a better understanding of contemporary digital phenomena (e.g. Horst & Miller, 2012).
This session contributes to these endeavours by inviting papers that focus on the visuality and visual aspects of digital life and culture. Papers could present ethnographic studies and discuss some of the following questions:
What does “the digital” mean for visual anthropology and/or the (interdisciplinary) relationship between anthropological subdisciplines and other visual research fields?
How does visual anthropology provide new perspectives on digital visuality?
How do specific conceptual approaches contribute to the analysis and understanding of digital visuality (e.g. ritualization, performativity, representation, material culture, practice theory)?
What theoretical concepts and analytical categories of sociality can be used to study (differences of) visual culture?
How does digital visuality co-constitute and mediate cultural performances and rituals?
How do digital platforms and social media services, such as YouTube, Facebook, Instagram, Twitter or Snapchat, and related practices constitute and change (visual) communication?
How does digital visuality impact and redefine ethnographic research (e.g. research techniques, tools, ethics)?
What are possible futures for digital visual anthropology and ethnography?
For questions concerning this session, please contact email@example.com
For questions concerning registration, abstract submission and hotel reservation, please contact firstname.lastname@example.org
The digital turn in media anthropology signals the growing importance of digital media technologies in contemporary sociocultural, political and economic processes. This panel recognizes the digital turn as a paradigm shift in the anthropological study of media, and aims to foreground three important streams of exploration that constitute new directions in the anthropology of media.
The rise of online vitriol against vulnerable communities has punctured euphoric pronouncements about digital media as a radical enabler of grassroots democracy. A significant aspect of digital extreme speech is gender based violence in digital environments. Beyond the specific instances of online violence, gendering media anthropology remains a crucial and broader area of intervention. Similarly, different forms of digital visualities have accentuated the materialities that constitute everyday digital experiences and their varied cultural ramifications. Charting the three directions as gendering digital media, materialities of digital visualities and online extreme speech, this panel aims to push further the ethnographic knowledge into the role that digital media play in people’s everyday life and broader sociopolitical transformations.
We invite ethnographic and/or theoretical papers that focus either on
(1) the gendered dimension of digital practices and introduce innovative theoretical insights into the relationship between gender and the digital;
(2) extreme speech and online vitriol aimed at refugees, migrants, sexual minorities and other vulnerable communities, but online extreme speech as also a means for political contestation;
(3) material dimensions of digital visualities as constituting features of new ways of communication and interaction.
The lecture is connected to the preparatory lecture “Propaedeutic Social & Cultural Anthropology” (Wolfgang Kraus) which includes basics such as:
The Cultural and the Social
Social & Cultural Anthropology Methodology/Methods
Universalism & Relativism
History of Social & Cultural Anthropology
General: Eriksen, Thomas H. 2010 or 2015. Small Places, Large Issues. An Introduction to Social and Cultural Anthropology. London: Pluto Press.
Colonialism: Wolf, Eric R. 1986. Die Völker ohne Geschichte: Europa und die andere Welt seit 1400. Frankfurt: Campus-Verlag, pp. 192-227.
Gender: Nöbauer, Herta. 2014. His/Her-Story war einmal: Sex/Gender–Systeme im historischen und regionalen Vergleich. In: Karl R. Wernhart and Werner Zips (Hg.). Ethnohistorie. Rekonstruktion und Kulturkritik. Eine Einführung. 4. überarbeitete und aktualisierte Auflage. Wien: Promedia, pp. 204-218.
Media & Visual Culture: Murdock, Graham and Sarah Pink. 2005. Picturing Practices: Visual Anthropology and Media Ethnography. In: Eric W. Rothenbuhler and Mihai Coman (Hg.). Media Anthropology. Thousand Oaks, Calif.: SAGE, pp. 149-161.
1) Armbruster, Heidi. 2009. Anthropologische Ansätze zu Migration. In: Maria Six-Hohenbalken and Jelena Tosic (Hg.). Anthropologie der Migration: Theoretische Grundlagen und interdisziplinäre Aspekte. Wien: Facultas.WUV, pp. 52-69.
2) Tošić, Jelena, Kroner, Gudrun and Susanne Binder. 2009. Anthropologische Flüchtlingsforschung. In: Maria Six-Hohenbalken and Jelena Tošić (Hg.). Anthropologie der Migration: Theoretische Grundlagen und interdisziplinäre Aspekte. Wien: Facultas WUV, pp. 110-126.
In 1994, the Keewaytinook Okimakanak Kuhkenah Network (KO-KNET) began to develop and provide internet infrastructures and services for the remote First Nation communities in Northwestern Ontario, Canada. Public and private institutions have been reluctant to invest in this “high cost serving area” with no year-round road access, where residents have to travel by plane for medical treatment or to meet with relatives and where people have to move to southern towns to continue their high school education or to find work. In close cooperation with the region’s First Nation communities, KO-KNET has built local broadband internet infrastructures to provide services such as cell phone communication, e-health, online learning, videoconferencing, and personal website hosting. Overall aim of this initiative has been to give people a choice to stay in their remote home communities.
For my first field trip to Northwestern Ontario in 2006, I decided not to fly but to take the train from Toronto to Sioux Lookout, Northwestern Ontario’s transportation hub. This ride with “The Canadian”, which connects Toronto and Vancouver, took about 26 hours and demonstrated very vividly the vastness of Ontario. I could not believe that I had spent more than an entire day on a train without even leaving the province. Finally, I arrived at Sioux Lookout, where I would be working with KO-KNET, one of the world’s leading indigenous internet organizations.
After my first day at the office, KO-KNET’s coordinator wanted to show me something. We jumped in his car and drove to the outskirts of the town where he stopped in front of a big satellite dish. Only through this dish, he explained, the remote First Nation communities in the North can be connected to the internet. I was pretty impressed, but had no idea how this should really work.
While the satellite dish was physically visible to me, the underlying infrastructure of interconnected digital information and communication systems was not. In the weeks and months to follow, I learned about the technical aspects of internet networks and broadband connectivity, about hubs, switches, and cables, about towers, points of presence, and loops. And I found out that internet via satellite might look impressive, but is actually the last resort and a very expensive way to establish and maintain internet connectivity for remote and isolated communities.
“Indigenous media matters because indigenous people do.”
(Wortham 2013: 218)
Indigenous media can be broadly defined as media and forms of media expression conceptualized and produced by indigenous people. From an anthropological perspective, indigenous media can be understood as cultural product and process that are both closely connected to the construction, expression and transmission of identity. Reflecting thus indigenous people’s history as well as contemporary sociocultural and political situations. By (strategically) inserting their own narratives in the dominant media landscape – may this be accomplished through films, TV and radio programs, or websites – indigenous people also utilize media technologies as means for social change and political transformation. Indigenous media-making practices have thus become part of the “ongoing struggles for Indigenous recognition and self-determination” and can therefore be understood as a form of cultural activism (e.g., Ginsburg 2000: 30).
University of Cologne, Germany
14-16 September 2017
This international workshop seeks to theorize the relationship between media and mobility. While mobility has been defined as movement ascribed with meaning, one might in similar fashion define media as meaning ascribed with movement. Interrogating the linkages between media and mobility can enable more thorough understandings of how various power structures produce, transform and reproduce social, material and discursive orders. People, devices, and data are increasingly on the move – movements that may transgress borders and boundaries, but which are also integral to the constitution and regulation of the barriers themselves. The movement of people triggers new imaginaries of territories and social spaces, which circulate through media, questioning and forging new ties between people, signs and things. More broadly, the mobilisation of tangible and intangible things demands a reconceptualization of what a ‘thing’ is, what constitutes the human, and what defines human collectivity. In such circumstances, reimagining circulations through the lens of media and mobility becomes an important step towards understanding current socio-cultural and political changes. While this lens has been applied broadly within anthropological research, its theoretical consequences merit further investigation and discussion.
… On November 9th in America, we woke up to a new administration promising radical change. It was a firm reminder that institutions like ours, built for the long-term, need to design for change.
For us, it means keeping our cultural materials safe, private and perpetually accessible. It means preparing for a Web that may face greater restrictions.
It means serving patrons in a world in which government surveillance is not going away; indeed it looks like it will increase.
Throughout history, libraries have fought against terrible violations of privacy—where people have been rounded up simply for what they read. At the Internet Archive, we are fighting to protect our readers’ privacy in the digital world. …
Die Lehrveranstaltung gibt einen Überblick zur Visuellen Anthropologie und diskutiert die Bedeutung sowie die Entwicklung dieser kultur- und sozialanthropologischen Subdisziplin in Zeiten zunehmender Digitalisierung. Studierende erhalten so einen Einblick in die historische, gegenwärtige und zukünftige Relevanz der Visuellen Anthropologie.